This was composed first as "An Imaginary Nightmare" in 1998 on Finale and the Master Tracks Pro sequencer. It was enhanced on Audacity with some delay effects.
Right away, even in the first down-tempo song, the power of Luke Wolever's drumming shows. Jay Feather's quasi-Annie-Lennox vocal stylings hit you at the heart. Minimalism rules considerably here. Mr. Forefinger
"Electronic chamber music" from this lauded ensemble, with the musicians "sampling" the notation for a stunning, innovative sound. Bandcamp New & Notable Nov 8, 2017
Colin Andrew Sheffield (Elevator Bath) repurposes heavily manipulated jazz samples into gorgeously eerie soundscapes. Bandcamp New & Notable Jun 20, 2023
Part spoken word, part contemporary composition, in this four-movement piece the Australian Art Orchestra explore isolation and connection. Bandcamp New & Notable Jul 13, 2021